Kleists Erzauml;hlsprache ist etwas absolut Singulauml;res. Es genuuml;gt nicht; sie historisch" zu lesen; - auch zu seiner Zeit hat kein Mensch so geschrieben wie er. Sind seine Stoffe herausfordernd; sein Vortrag ist es nicht minder ..." (Thomas Mann)Text aus Reclams Universal-Bibliothek mit Seitenzauml;hlung der gedruckten Ausgabe.
#1470178 in eBooks 2012-10-17 2012-10-17File Name: B009VMBENK
Review
0 of 0 people found the following review helpful. My professional opinionBy SherieThis book has great features:The publication gives the information that helps you get a look at how you can structure your materials to present to potential buyers. As far as submission parameters the book is a great tool for establishing what publishers or galleries want to see.It also does a good job with the different categories and genres in the market.Some ideas to improve:A section that follows up with stories that support if the information in the book was actually instrumental in helping people succeed in making contacts. The book does very little to make connections between if the information in the book actually is successful in making a connection to the industries listed in them.It needs more stories that demonstrate IF IT WORKS!Also. there needs to be a companion guide that demonstrates techniques on how using this book can be successful. The information is one thing. how you approach these institutions is another. A marketing companion would be the next progression for this type of book. Just having a directory of sorts does not go far enough in this climate. I explain to my students this is a tool but the necessity of it is still yet to be determined.14 of 15 people found the following review helpful. Good information. but serious gapsBy ReginaIf youre a commercial artist or graphic designer. maybe this is the bees knees for market guides. As a fine artist. I find some of the information useful. but there are big gaps. Galleries. publishers. etc. are organized alphabetically rather than being categorized and cross referenced (except for a resources by state index in the back of the book). This means that if you already know the name of a gallery. publisher. etc. and want short profile level info. you have a handy lookup. BUT if you are trying to make a list of publishers. galleries. etc that are possibilities. you have to comb through the entire section.There is no distinction made between museums. art associations. non-profit. and commercial galleries. Museums with permanent collections and curators are simply not in there. Sectioning off the types of "galleries" and adding museum information would make this guide MUCH more useful to fine artists.Similarly there is no distinction made between publishers who commission graphic designs for prints and publishers of art books. Sections would again help fine artists.An index at the end of the book publishers section with genres. subjects and styles (science. textbooks. engineering. literature. literary journal etc) would be very helpful.A number of entries are mis-categorized )so you have to wade through the whole thick book.Overall there is some useful information in here. that I didnt have before. However I will continue looking for a market guide for artists that serves the fine arts better.13 of 14 people found the following review helpful. Great for New and Experienced Artists.By KelciDCrawfordSeriously. this is REALLY useful for me as an emerging freelance illustrator. It not only gives complete and detailed listings of publishers and their submissions processes. but it also details other markets like art fairs. greeting card companies. merchandising. galleries. and more. Plus. there are articles written by artists that discuss everything from marketing yourself to pricing your work and improving your communication with your clients.If youre just starting out like I am. this is the best book that you can get.
