Was sieht man; wenn das Auge seine Arbeit aufnimmt; wie sieht man; wenn beide Augen ihre Aufmerksamkeit auf die Auszlig;enwelt richten? Und kann man diesen Prozeszlig; der Wahrnehmung in ein anderes Medium umsetzen; in Sprache zum Beispiel?Das letzte Buch der 1997 verstorbenen Suuml;dtiroler Autorin. Werke der bildenden Kunst sind Anlaszlig; fuuml;r kleine Erzauml;hlungen und lyrische Prosa; die sich der Problematik der Wahrnehmung nauml;hern und versuchen; die Vielfalt des Sichtbaren sprachlich faszlig;bar zu machen; "beider Augen Blick" in Einklang zu bringen; aus Gesehenem etwas Geschehenes und daraus eine Geschichte zu machen.
#1127092 in eBooks 2015-06-24 2015-06-24File Name: B00YJG804E
Review
0 of 0 people found the following review helpful. Was very pleased with content.By bgdckmcgeeExcellent information but geared more to drawing and animation than good old fashioned claymation-type projects.12 of 12 people found the following review helpful. Stop-Motion Filming and PerformanceBy T. H. BriertonLike its two previous manuals; Stop-Motion Armature Machining and Stop-Motion Puppet Sculpting and Fabrication; the publisher chose to print Stop-Motion Filming and Performance on substandard paper stock; with low-quality images. This hurts the overall look of the manual; belies the content of the manual; and results in a product that is overpriced for what one gets visually.The author had requested color photographs for the lighting portion of the manual; and was initially told by the publisher that up to 8 color images would be printed. Eventually; color photos were not used; which further impeded the manuals discussion on color lighting.The most important aspects of filmmaking (be it live-action or animation) are the story and performances. As such; the author spent a great deal of time discussing story development and animation performance. The author would especially welcome comments from consumers of the manual on those aspects of the manual as well; and to provide more objective and fair criticism.4 of 6 people found the following review helpful. OVERPRICED for what you getBy Andres M.I live in Mexico; and bought this book months ago along with other stop motion animation texts. When i first took a look to one of those; CREATING 3D ANIMATION by AARDMAN; I was pleasantly impressed with the beautiful hard cover; the quality of its sheets and images; same as the clerness and helpfulness of its content. So after tasting this charming product i jumped to the FOUR times more expensive STOP-MOTION; FILMING and PERFORMANCE book; and i couldnt but felt totally cheated; when i found what it looks more like a Booklet made with bad printed photocopies; with dark; incomprenhensible pictures and a content with vague and duff fundamentals. I wouldnt feel so outraged if this material would have cost no more than 5dlls; but considering the price i paid for such poor editorial effort; and comparing it with the other books i got about the same topic; (much more professional; useful; and CHEAPER) i consider this book as a real THEFT-LOOTING.
