Em ldquo;Heacute;lio Oiticica em Manhattanrdquo;; SILVIANO SANTIAGO dialoga com o artista plaacute;stico a partir de suas memoacute;rias da deacute;cada de 1970; quando frequentava o apartamento dele em Nova York. Criacute;tica e memoacute;ria se misturam num texto intenso e generoso.Em um segundo ensaio; relendo seus proacute;prios textos; SILVIANO SANTIAGO analisa o fenocirc;meno da autoficccedil;atilde;o na literatura contemporacirc;nea.Jamaicano radicado nos EUA; GARNETTE CADOGAN mostra um pouco de seu projeto de fenomenologia da caminhada. Ao andar por bairros constrastantes em Nova York; Cardogan discute a dinacirc;mica das mudanccedil;as culturais em cenaacute;rios urbanos; a partir do olhar de quem caminha e observa. Racismo; luta de classes; urbanismo e violecirc;ncia; satilde;o lidos de muito perto.Em um texto refinado; ANA PAULA PACHECO analisa o filme ldquo;Iracema ndash; uma transa amazocirc;nicardquo;; observando como a modernidade chega em espaccedil;os abandonados; trazendo consequecirc;ncias de toda ordem. A experimentaccedil;atilde;o formal dos diretores cria uma ficccedil;atilde;o documental ateacute; hoje valiosa e significativa para a compreensatilde;o do nosso atraso. FLAVIO RICARDO VASSOLER; com estilo forte e bastante erudiccedil;atilde;o (sem falar na experiecirc;ncia de quem conhece o Impeacute;rio russo pessoalmente) analisa a obra de Svetlana Alexievich; a mais recente Precirc;mio Nobel de Literatura; notando tanto a originalidade de sua obra como a forccedil;a de denuacute;ncia que ela traz no bojo de vozes desencontradas e perdidas em meio a um Impeacute;rio em franca decadecirc;ncia.RICARDO LIacute;SIAS resenha o livro ldquo;Sermotilde;esrdquo; de Nuno Ramos e a partir dessa leitura procura elementos que organizem a obra literaacute;ria e visual do artista paulistano.Em um texto fragmentaacute;rio e errante; BRUNO RODRIGUES retoma as questotilde;es que seu primeiro texto publicado na Peixe-eleacute;trico (ediccedil;atilde;o # 2) jaacute; apresentava: as exclusotilde;es que o cacirc;none literaacute;rio representa; o elitismo que persiste em muitas questotilde;es literaacute;rias e a militacirc;ncia urgente que nosso tempo parece recusar. Aqui; o ensaio assume um lugar corrosivo e de contestaccedil;atilde;o. ldquo;O triunfo do leitorrdquo;; de THIAGO BLUMENTHAL; analisa o novo status que a figura do leitor parece estar assumindo em um tempo em que mais do que ler; eacute; preciso mostrar esse ato; declaraacute;-lo ao mundo e; ainda mais; ilustrar-se publicamente com os efeitos dessa leitura.SERGIO TAVARES reflete sobre o caso do folhetim eletrocirc;nico Delegado Tobias. O texto analisa as novas hipoacute;teses de porosidade no ato da leitura e; consequentemente; os limites da ficccedil;atilde;o.
#3127362 in eBooks 2016-07-07 2016-07-07File Name: B01I4FFKQ6
Review
0 of 0 people found the following review helpful. Beautiful Writing Concerning NatureBy UrennaAfter the Divorce is a tale in 1920s Sardinia of love. envy. covetousness. murder. deceit. and anger. In actuality. it is drama dealing with events in the lives of Costantino Ledda. his wife Giovanna. his rival Brontu Dejas and the mothers-in-law. Bachisia Era and Martina Dejas.Wrongfully accused of murdering his uncle. Basile. Costantino received a sentence of twenty-seven years in prison. Giovanna and Bachisia lost their home after paying off the lawyer. The area is not impoverished. but Giovanna and Bachisia did not own land. nor have cattle or sheep. like their neighbors. the Dejas. There was little work. so they. along with Martino. Giovannarsquo;s son. experienced almost starvation in the small village.Giovanna and Costantinorsquo;s toddler died during his incarceration. In the meantime. an uncompromising. bossy. Bachisia badgered Giovanna to marry Brontu. who loved her. whom she had spurned for Costantino. Realizing she was still young. her husbandrsquo;s lengthy confinement. the death of their son. and poverty-stricken. Giovanna conceded.Costantino collapsed when he discovered his wifersquo;s decision to marry Brontu. Neighbors and friends were outraged. They considered it a sacrilege to divorce and marry another man while her husband alive. They named Giovanna lsquo;the woman with two husbands.rsquo;Giovanna and her mother believed she made the right decision. Later. Giovanna had regrets. She married Brontu for his wealth. but became he and his motherrsquo;s slave.Authorities freed Costantino when the real culprit confessed on his deathbed. Costantino left jail with ambivalent feelings for Giovanna. He felt betrayed. Yet he returned to the village. said he planned to leave. but could not. This became unpleasant and destructive for everyone.Notwithstanding Costantino and Giovanna are the chief characters. but the story involved stronger characters in Bachisia and Martina. too strong-willed mothers-in-law. They were imperious.I liked it. but thought the novel melodramatic and gave it three stars. You will be enlivened with Grazia DeLeddarsquo;s nature writing on Sardinia throughout the book. One of my favorites is: ldquo;The sunset light was still brilliant while water shone here and there between oleanders and rushes. reflecting the red-gold glare of the sky. The lacy umbrellas of elder and the bright coral buds of the oleanders stood out against the light sky like enamel-work set in silver.rdquo; Ms. DeLedda received the Nobel Prize for literature in 1926.1 of 1 people found the following review helpful. Brilliant Recreation Of The Sardinian Peasants WorldBy propertiusUniversal themes concerning love. fate. faith ensconced in the stifling word of a Sardinian village. Grazia Deledda brings dignity and compassion to the characters who have all the emotional impact of Italian Neo-realism. Small wonder that her work transcends time and location and she was awarded The Nobel Prize.0 of 0 people found the following review helpful. Romantic storyBy SherylThe story illustrates life in Sardinia a century ago. For that. it is valuable. The plot is a morality tale of a young couples struggles. It is ok as a historical oddity.
