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All That Glittered: The Golden Age of Drama on Broadway; 1919-1959

[PDF] All That Glittered: The Golden Age of Drama on Broadway; 1919-1959 by Ethan Mordden at Arts-Photography

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A completely original and funny new take on cats. Doogie Horner; a writer and illustrator; knows just what it is about cats that so obsesses and delights usmdash;their impenetrable personalities; their self-contained quirkiness; the aura of mystery that makes it seem as if theyrsquo;re always up to something that they donrsquo;t want us to know about. So he imagines their secret lives for us; in a way that takes the most surprising and whimsical turns. With full-color illustrations and absurdly funny short stories; Some Very Interesting Cats Perhaps You Werenrsquo;t Aware Of is a gallery of 100 impossible cat characters. Like the Alien cat; Xort; who reports back to his planet: ldquo;Have trained my humans to feed and pet me. They suspect nothing.rdquo; Or the Mountain Climber cat; Snowball; who is planning a perilous route up the North Curtain to Mt. Bookcase. Or Mystico; the Magician catmdash;no one could figure out how he sawed a dog in half. (The answer was simple: He didnrsquo;t like dogs.) And Hjalmar; the Viking cat; whose motto is ldquo;Pillage. Tuna. Plunder. Nap.rdquo;


#595659 in eBooks 2015-04-07 2015-04-07File Name: B00TX8L8G0


Review
21 of 22 people found the following review helpful. This represents Bill Levitts goal to make a pick style guitar "legitimate".By Low HertzFirst of all; I was a student at Berklee and studied with Bill Levitt. Bill Levitt createdgreat methodologies for pick style guitar. However; I say this with fondness; he hada religious attitude that nothing was played with fingers.I grew up studying with a great Jazz player; Lenny Frank who taught using a pick; using fingers and pick and fingers. But not Bill Levitt. Using the right hand fingers was treated as something evil.While Classical Guitar was finally considered a "legitimate" instrument; there was a schoolof mostly arch top players that were incredible musicians. An example that Bill Levitt selectsas one of the best would be Johnny Smith. Its not unlike Benny Goodman playing a clarinet concerto to get jazz accepted by serious musicians. You have to realize this was all coming from jazz musicians from the bebop era and the great arch top chord solo guitar players.Bill obviously researched through thousands of classical studies for guitar; or in some casessingle note studies for cello or other instrument. He found ones that could be playedwith a pick. Yes; they are great pieces. Yes; they are great for developing clean amazingtechnique. Yes; you should understand the underlying chord theory; best accomplished bystudying the book with a knowledgeable teacher.Its a great book. Its also a great book to play with your fingers but you couldnt saythat to Bill.Bill ran the guitar department with no variations permitted. Students went through theBill Levitt series of books; though very few guitar students ever graduated. To get college credit you had to be able to start at page 60 of book 1. Should a teacherimprovise and teach other stuff; that was outlawed. One should keep Bill Levitts philosophies and goals in mind to better understand and play the pieces.Each semester a student had to give a recital; selecting a piece from this book; memorize itand perform it before a group of professors for a grade.Bill was a great arranger and all the pieces are sequentially organized in difficulty and learning experiences.All of them are worthy performance pieces. I use the book with students that generallyplay them with their fingers. For example; many of the early pieces are Carcassi studiesand were written to teach how to use ones fingers. Playing them on a pick; great practice;another sound; but many are obviously designed for the use of fingers. Bills not looking;you can use your fingers too.This book is first and foremost an attempt to help arch top guitar players legitimate acceptance. In the process he created a fine book.I highly recommend it both to pick style players but also for classical studies.0 of 0 people found the following review helpful. This is a great book for working on puck hand technique and you ...By solarwindThis is a great book for working on puck hand technique and you also can be musical at the same time; its a real fun way to work on chops and learn a piece of music. You cant beat it for the price; I had the chance of meeting Mr Leavitt who builded that guitar program at Berklee and he was a genius; this book has help my chops so much.1 of 1 people found the following review helpful. one of the best for pick style guitarBy Thomas A. Denglera classic. i took lessons from one of Leavitts students from Berklee. he recommended this book ofcourse; when I was looking for a book to learn classical on; but I was still a picker on electric. this is great material; a bit difficult in places; but awesome. my only problem with it is that it has duets. i feel all books like this should be written for solo. but the Bach arrangements; and the Sor and Carcassi are enough material to learn for a while; not to mention the Moto Perpetuo of Paganini. check out Mel Bay modern guitar method; vols. 5-7; which also have great picking classics.

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