Troubling Vision addresses American culturersquo;s fixation on black visibility; exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis; Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce; resignify; and disrupt its meaning. Working across visual theory and performance studies; Fleetwood asks; How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness?Fleetwood documents multiple forms of engagement with the visual; even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles ldquo;Teenierdquo; Harris to the ldquo;excess fleshrdquo; performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson; Fleetwood reveals and reconfigures the mechanics; codes; and metaphors of blackness in visual culture.ldquo;Troubling Vision is a path-breaking book that examines the problem of seeing blacknessmdash;the simultaneous hyper-visibility and invisibility of African Americansmdash;in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies; art history; critical race studies; visual culture analysis; and gender theory; Fleetwood expands Du Boisrsquo;s idea of double vision into a broad questioning of whether lsquo;representation itself will resolve the problem of the black body in the field of vision.rsquo; With skilled attention to historical contexts; documentary practices; and media forms; she takes up the works of a broad variety of cultural producers; from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of lsquo;non-iconicityrsquo; in the photographs of Charles (Teenie) Harris; the lsquo;visible seamsrsquo; in the digital images of the artist Fatimah Tuggar; and a coda on the un-dead Michael Jackson; Fleetwoods close analyses soar. Troubling Vision is a beautifully written; original; and important addition to the field of American Studies.rdquo;mdash;Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize
#1958681 in eBooks 2006-06-21 2006-06-21File Name: B004OBZXD0
Review
2 of 3 people found the following review helpful. Particularly recommended for art school faculty. students. and community artistsBy Midwest Book ReviewARTISTIC CITIZENSHIP: A PUBLIC VOICE FOR THE ARTS is for arts educators and professionals who want to know how to participate in civic life. Essays come from the Tisch School of Arts. from artists and scholars who explore how art and the everyday world interact. and the meaning of art in public places and everyday lives. From the unique. relatively modern idea of the individual artist apart from community to the uses of satire. this embraces all kinds of concepts and ideas. ARTISTIC CITIZENSHIP is particularly recommended for art school faculty. students. and community artists wanting to influence local. state and even national governmental agencies to support the arts.