In the early twentieth century; the Boston-based United Fruit Company controlled the production; distribution; and marketing of bananas; the most widely consumed fresh fruit in North America. So great was the companys power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated; giving rise to the notion of company-dominated "banana republics."In A Camera in the Garden of Eden; Kevin Coleman argues that the "banana republic" was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos; literary works; immigration records; and declassified US government telegrams; Coleman explores how banana plantation workers; women; and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso; where the United Fruit Company had one of its main divisional offices; the rise of the company now known as Chiquita; and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story; Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past; offering a model that is applicable far beyond this pathfinding study.
#280486 in eBooks 2014-12-01 2014-12-01File Name: B0166UNY5K
Review
0 of 1 people found the following review helpful. Five StarsBy John Kvery cool for creating solo ideas on bass6 of 8 people found the following review helpful. Be ready for Drop-D tuning if your bass can support it.By CBHouseOverall. very good. and I would recommend. However. a few things to know/understand before you buy.1. Only one of these movements takes standard E-A-D-G tuning.2. Tune to D-A-D-G. This may be an issue for you if you have a short scale bass.3. None of these are in their true key-signatures. They have truly been "adapted" to bass. That said. you cant really "play along" since you will be in the wrong key.Again. this is GOOD. But be prepared. This probably should have been written for a 5-String Bass. but I appreciate the effort to adapt for 4-String.0 of 0 people found the following review helpful. Wonderful for a lifetime of practice. Rewarding and punnishing.By Kindle CustomerGreat music and nicely arranged.