Corporate Creativity is an excellent guide for managers and executives; anyone looking to increase creativity and innovation in their companies. This anthology of provocative essays; many drawn from the best of the Design Management Review and Design Management Journal; explores creativity at the personal; team; and organizational levels; and it is packed with insights from the most respected names in the industry: Thomas Lockwood; Jeffrey Mauzy; Robert Rassmussen; Leonard Glick; Gerald Nadler; Stefano Marzano and many others. These experts reveal how leading companies foster a creative culture and maximize talent resources. Essays explore managing innovation; design thinking; improving creative abilities of employees; taking risks; designing creative teams; integrating design and creative methods into the management process; branding; and much more. Corporate Creativity is a must-have for anyone working to maximize creative potential in the workplace.
#110430 in eBooks 2011-10-05 2011-10-05File Name: B0036S4DVK
Review
1 of 1 people found the following review helpful. READ IT!By Ashley OBrienthis is such a cool book. I loved learning about African American feminism in the context of American History. and more importantly: music. I wish they made such thorough and exciting books for every genre of American music. but this history is unique and definitely worth the read. Bought it for a class and read the entire thing before any assignments were due on it.0 of 0 people found the following review helpful. i enjoyed this book.By Readeri was writing a paper for a grad class on blues women using Ann Petrys The Street as a main source. and this book came in handy. Davis gives us some really good insight into the worlds of blueswomen. When i get settled. i will reread this so that i can catch everything i may have missed first time around.0 of 0 people found the following review helpful. Herstory not historyBy Michele JohnsonAngela Y. Davis tells the story of womens blues during the 1920s and 1930s. She closely analyses lyrical content and sets the songs of the Classic blues singers within a historical context of feminism. The text is brilliant to read. It is an exciting new (though written in 1999) way of conceptualising the political nature of womens blues.
