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Choreographing Copyright: Race; Gender; and Intellectual Property Rights in American Dance

[DOC] Choreographing Copyright: Race; Gender; and Intellectual Property Rights in American Dance by Anthea Kraut at Arts-Photography

Description

The first appearances of graffiti ldquo;tagsrdquo; (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough; violent cries of the ignorant and impoverished. However; as the graffiti movement progressed and tags became more elaborate and ubiquitous; genuine artists emerged whose unique creativity and unconventional media captured the attention of the world.Featuring gallery and street works by several contributors to the graffiti scene; this book offers insight into the lives of urban artists; describes their relationship with the bourgeois art world; and discusses their artistic motivation with unprecedented sensitivity.


#1686948 in eBooks 2015-11-02 2015-11-02File Name: B016S95Q0A


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