Many of Cleveland�s dearly departed haunt the Forest City to this day. A spirit lingers in the ballroom; and a little girl cries on the third floor of Franklin Castle; the most haunted site in the city. The man in the green hat will not leave the stage at the Palace Theater. Chief Joc-O-Sot still wanders Erie Cemetery centuries after his death; unable to rest in his grave; while a phantom in full Civil War uniform paces inside the Soldiers� and Sailors� Monument. Authors Beth A. Richards and Chuck L. Gove of Haunted Cleveland Ghost Tours share the chilling tales of the city�s spectral past.
#1352675 in eBooks 2016-01-21 2016-01-21File Name: B01AXC193Q
Review
5 of 5 people found the following review helpful. Oral History of Paul Mazurskys filmsBy Bruce M. KernerThis is an in depth exploration of Mazurskys film making life. A good deal of it is presented in " Show Me The Magic "; but here the material is explored in a dialogue between Mazursky and the interviewer; Sam Wesson; and is expanded upon. If you like Mazurskys work and sense of humor; this is an excellent book for your library.11 of 11 people found the following review helpful. Just as wonderful as a Mazursky filmBy NancyHMSam Wasson gives Paul Mazursky the attention he deserves; in a book that has all the charm; warmth and humanity of Mazurskys best movies. Pure pleasure from start to finish.2 of 2 people found the following review helpful. The soul craft of filmmakingBy Chris BramThis book is wonderful is so many different ways I dont know where to begin. Sam Wasson knows Mazurskys movies inside out and asks smart; productive questions. Mazursky is not just funny but articulate and wise and a great storyteller. The emphasis is on craft--writing scripts; working with actors; lighting sets; making deals--but the rest of life keeps spilling into their conversations. Wasson also speaks with people whove worked with Mazursky--an actress; a co-writer; a cinematographer; a costume designer--and they add more brain and blood to the book. I love Paul Mazurskys films (my favorites are "Next Stop; Greenwich Village" and "Enemies: A Love Story"); and that was reason enough for me to read this book. But I finished feeling this is a rare account of the soul craft of filmmaking; that strange area where technical matters take us into deeper questions about emotion and human nature and the meaning of life.
