Toward an Architecture of Enjoyment is the first publication in any language of the only book devoted to architecture by Henri Lefebvre. Written in 1973 but only recently discovered in a private archive; this work extends Lefebvre’s influential theory of urban space to the question of architecture. Taking the practices and perspective of habitation as his starting place; Lefebvre redefines architecture as a mode of imagination rather than a specialized process or a collection of monuments. He calls for an architecture of jouissance—of pleasure or enjoyment—centered on the body and its rhythms and based on the possibilities of the senses.Examining architectural examples from the Renaissance to the postwar period; Lefebvre investigates the bodily pleasures of moving in and around buildings and monuments; urban spaces; and gardens and landscapes. He argues that areas dedicated to enjoyment; sensuality; and desire are important sites for a society passing beyond industrial modernization. Lefebvre’s theories on space and urbanization fundamentally reshaped the way we understand cities. Toward an Architecture of Enjoyment promises a similar impact on how we think about; and live within; architecture.
#4136589 in eBooks 2014-08-28 2014-08-28File Name: B00MGSBWHY
Review
21 of 24 people found the following review helpful. Not at all distant or forgotten an era in LA lifeBy S. ElliottI was a student at Caltech in the late 60s and the influence of the European emigree community in LA in science; music; literature; and the arts was still very strongly palpable; indeed many of my best professors were themselves emigrees. Reading this book makes far clearer and more comprehensive than anything I have read before the broad outlines of who these people were and what they accomplished while in the US.Later a student and businessman myself in Germany and Asia; I see even more clearly what an extraordinary European elite blessed LA with their presence. Not all of them are appealing (I personally dont care for Bertold Brecht or Adorno); but even their influence was visible; sometimes on well-known radicals like Angela Davis.