Challenging the critique of autoethnography as overly focused on the self; Tami Spry calls for a performative autoethnography that both unsettles the "I" and represents the Other with equal commitment. Expanding on her popular book?Body; Paper; Stage; Spry uses a variety of examples; literary forms; and theoretical traditions to reframe this research method as transgressive; liberatory; and decolonizing for both self and Other. Her bookdraws on her own autoethnographic work with jazz musicians; shamans; and other groups;outlines a utopian performative methodology to spur hope and transformation;provides concrete guidance on how to implement this innovative methodological approach.
#851215 in eBooks 2016-03-30 2016-03-30File Name: B01DNA3UYG
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