Shakespearersquo;s Cleopatra; La Pucelle; Ophelia; Shawrsquo;s St Joan and Ibsenrsquo;s Hedda ndash; a handful of lsquo;seminalrsquo; roles for women in the classical canon. Janet Suzman has played them all and directed some. Here she examines their complexity and explores why only Cleopatra has an independence that allows her to speak to modern women.None of these; regrettably; matches up to a Hamlet; but as she is grateful for the parts he did write; Suzman feels a lightly-barbed attack on those who work in theatre and doubt Shakespearersquo;s authorship is way overdue. She also takes issue with received ideas on boy actors playing mature women in Shakespearersquo;s company; and refl ects on how female characters in classical drama have not been on a level with their male counterparts. Today; on TV; fi lm and the stage; this remains the case. Not Hamlet but Hamlette; please.
#2817715 in eBooks 2012-04-27 2012-04-27File Name: B007ZZ0PUS
Review
