Do the arts improve academic achievement? What does it mean to lsquo;teachrsquo; art? What should the balance of classic and pop be in the music curriculum? Should we encourage young children on the stage? How do we judge whether what a child produces is good? How do we justify the arts in the curriculum? What should be the balance between form and content when teaching art?The arts in education inspire considerable commitment and passion. However; this is not always matched by clarity of understanding. In this book Mike Fleming introduces the reader to key theoretical questions associated with arts education and clearly explains how these are related to practice. It offers an authoritative account of how ideas relevant to education are addressed by key authors in aesthetics; art theory and cultural studies. Covering all aspects of arts education; the book considers:definitions and theories of artinfluences on teaching the artsresearching the artsteaching and learningcreativityassessment.Throughout the book there are examples of practice to illustrate key ideas and a discussion of useful background texts with a summary of content and arguments for further exploration. Written by a leading authority in the field; it is essential reading for students on Arts PGCE and M Level courses; teachers of the arts and policy developers that require more understanding and insight into their practice.
#1697612 in eBooks 2012-01-25 2012-01-25File Name: B0071NV5QM
Review
1 of 1 people found the following review helpful. Thorough. informative. dryBy Michael KilgoreKerry Segrave is a researcher. Reading Drive-In Theaters. I can just see him at a UCLA library in 1992. thumbing through old issues of Variety and taking notes on 3x5 index cards. Clearly. he poured weeks of his life into this book. which includes excellent appendices. copious footnotes. and an extensive bibliography. For the sheer volume of information about the history of drive-ins. this book is unmatched.But when the time comes for Segrave to transfer all that information into a narrative. the results are a mixed bag. The chapters detailing the early history and growth of drive-ins often create an interesting story. Other chapters. such as "The Audience" look like a pile of index cards rewritten as one-paragraph summaries. one after another.It gets even drier when statistics are involved. There are no tables in the body of the book; every instance that called for one was instead handled as descriptive sentences. Heres one example: "Picture preference of those questioned in 1949 and 1950 were; comedies 25 percent (33 percent in 1950). 23 percent drama (23). 21 percent musicals (18). 18 percent Westerns (14). 5 percent romance (8). and 15 percent expressed no preference (4)." When he strings a few of these together. I found it hard to keep reading. There are plenty of other. longer non-tables like this. but I wanted to spare you.My favorite part of this book was its Introduction. where Segrave lays out a few themes that he sometimes uses in the body of the work. For example. he explains why drive-ins werent globally popular the way they were in the US. "(B)efore drive-ins could spring up all over. a country had to be wealthy; it had to have a good deal of vacant. accessible. relatively cheap land; and the countrys inhabitants had to be financially well placed. have automobiles. and enjoy an emotional relationship with their cars."Segrave also points to poor film quality. weak projectors and bad sound as indicators that back then. the success of drive-ins was guaranteed as soon as they opened the gate. a situation with later ramifications. "Drive-ins declined in part because success came too easily at the start. Operators made little effort. When attendance declined. the cavalier way operators treated patrons came back to haunt them. It couldnt be undone."This book is rather gloomy. understandable since it was written during the industrys freefall period. The photo quality is atrocious; I dont know what the hardcover version looked like. but these look like third- or fourth-generation screen prints. Its wrong about the name of the first drive-in film; it was Wives Beware. not Wife Beware. Its got an uncredited photo on page 164 that looks a lot like Life magazines iconic 1958 Utah drive-in shot.Im glad I bought this book. and if youre a drive-in fan. I heartily recommend it for your bookshelf. But its flaws and its frequent dry patches prevent me from giving Drive-In Theaters a full five stars.1 of 1 people found the following review helpful. The authoritative book on drive-in theatersBy Lost in TwilightThis book is an absolute must - have if you consider yourself a drive-in enthusiast. If youre looking for a book with big. colorful pictures I recommend "Drive-In Memories." "Cinema Under the Stars." and "The American Drive-In Movie Theater". All are equally wonderful books. But if you want to know more. if you want to dig deeper into the history of the drive-in theater. this is your book. It contains far. far more detailed information and background than any other book of its kind -- without ever becoming boring. True. it may seem to be too dated to give an accurate. historic account (the book was first published in 1992). but lets be realistic. is there really anything new to report on the nearly-dead industry. other than there are even fewer drive-ins?Kerry Segrave has certainly done his homework in researching the drive-in theater. To quote him in his introduction: "Research for this book was conducted at the UCLA libraries. Much of it consisted of reading back files of such magazines as Variety and Motion Picture Herald. The latter was particularly useful in that its articles contained detail. such as construction costs and so on. Another helpful institution was the Los Angeles Public Library." He has done quite a remarkable job in researching. I commend him wholeheartedly. Had he not done the research and written this book. much of the drive-ins fascinating history would be forever lost and forgotten. because as Ive said. no book of its depth has been published before or after.Segrave sticks to the facts throughout the book. and points to natural conclusions from evidence (however. he does make a foolishly bold. personal statement in his closing paragraph regarding the drive-in post-1992: "New ones will never be built". There has in fact been at least one new drive-in built. that Im aware of). This book contains more than 235 pages of his research findings. It is very. very thorough. leaving no stone unturned. shedding light on much of the drive-ins fascinating history that most people are probably unaware of (Ive been to drive-ins. but I was unaware of about 95% of what Segrave presents here). And for those interested in numbers. Segrave has provided them. Oh boy. does he. For those interested in percentages. financial data. comparisons. admission and food prices (even down to the price owners paid for the cream for coffee). census data. etc.. and how all these numbers changed throughout the years. its all here.But numbers only make up a fraction (no pun intended) of the books content. Here is a break-down of the chapters:1. A Backyard Invention2. Patent Battles3. A Very Slow Start. 1933-19444. Postwar surge. 1945-19485. Drive-ins Battle the Industry6. Communities Battle Drive-ins7. The Golden Years. 1950s8. The Golden Years. Showmanship9. The Golden Years. Selling Food10. Strange Drive-ins11. Foreign Drive-Ins12. Drive-ins Battle the Elements13. Drive-ins Pray For a Miracle14. Drive-In Sound15. The Audience16. Sex In the Drive-in17. Sex On the Drive-in18. Decline and Stagnation. 1960s and 1970s19. Rapid Descent. 1980s and Beyond20. ConclusionAgain. the book is very comprehensive and it delivers. My personal favorite chapters are The Golden Years. but I love all of them. The only disappointment I had with this book -- and this is only me -- is that nothing was said about any of the drive-ins from my home state of Oregon (only statistics). But this is only me. and it is only a minor flaw.Ive read this book cover to cover about 7 times now. I am so fascinated and intriuged with it. I just cant get enough of it! When I first heard about it. it was available in hardcover only. and to buy a copy wouldve cost close to $60 in 2005. I checked out a copy from a library in another town (not without some red tape) and loved it so much I painstakingly made copies of every single page and read it that way until a paperback edition became available. Its still a little expensive. but well worth it. especially if you consider yourself a drive-in enthusiast.In conclusion. you dont know drive-ins until youve read this book.12 of 12 people found the following review helpful. Great. in-depth look at the history of drive-ins.By Drive-In KidIf you are looking for a book with basic info and lots of pictures then you are better off buying "The American Drive-In Movie Theater" or "Drive-in Movie Memories" by Don and Susan Sanders. If you are looking for a well-detailed research book. then this is really the only choice. The author discusses the inception of the drive-in concept. the growth years. the difficulties that drive-in owners faced. and the eventual decline. backing it up with good data along the way. There is much more to the story than people realize and it is all in here. For example. the initiative to create a "daytime screen" to extend the hours in which a drive-in could remain open is covered in great detail. the legal issues. the battles with the studios and the distributors and on and on. Highly recommended!
