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GEOdisentilde;o: Meacute;todos de Planificacioacute;n Integral del Territorio

[PDF] GEOdisentilde;o: Meacute;todos de Planificacioacute;n Integral del Territorio by Carl Steinitz at Arts-Photography

Description

Orientando; diario di viaggio un po psicotico e un po paranormale di una turista in piena crisi didentitagrave; eacute; il primo libro di Manuela Camporaso.Il testo riporta; con concetti semplici; a tratti comici; la prima parte di un viaggio in solitaria; del tutto improvvisato; in territorio asiatico; dove la scrittrice sperimenta diversi stati danimo e difficoltaacute; alle quali cerca di porre rimedio in modo spesso buffo e inusuale.Una piena crisi esistenziale eacute; protagonista ed accompagna le mille vicende della sua vacanza allo sbaraglio.Il racconto si svolge seguendo un flusso di pensieri e azioni rapide che sorprendono il lettore; decorato di tanto in tanto; da spunti di riflessione sullesistenza. Qualche brivido freddo eacute; garantito; inoltre; per via della presenza di un mondo spirituale che accompagna lautrice a sua insaputa.Una lettura diretta e leggera; senza acrobazie letterarie sofisticate; adatta ad un pubblico di ogni etaacute;.Un invito ad affrontare un viaggio; che sia esso dentro di noi; verso gli angoli piuacute; nascosti della nostra sofferenza; o fuori di noi; verso lignoto e lignobile; ma che in entrambi i casi sia fatto mantenendo il sorriso nellanima.


#2738019 in eBooks 2014-12-04 2014-12-04File Name: B00QLBADDG


Review
1 of 1 people found the following review helpful. Book Review by Dennis MooreBy ShelleyB*Stephanie Leigh Batiste; Associate Professor of English and Black Studies at the University of California; Santa Barbara; has written a thought provoking book and scholarly study on an under-theorized subject of black Americans complicity in imperialist discourse; Darkening Mirrors: Imperial Representation In Depression-Era African American Performance.As a performance artist at UCSB; Batiste is in a position to deliver this provocative study of the performances of Lena Horne; Bill "Bojangles" Robinson and Paul Robeson; and lesser known performers; and their social implications. She traces the black experience in theater through a turbulent period in our history to a point in time now better appreciated and understood.In Darkening Mirrors; Batiste examines how African Americans; a population treated as second-class citizens at home; imagined themselves as empowered; modern U.S. citizens and transnational actors in Depression-era plays; operas; ballets; and films. Many of these productions; such as the 1938 hits Haiti and The "Swing" Mikado; recruited unknown performers; involving the black community not only as participants but also as spectators. Performances of exoticism; orientalism; and primitivism are linked to issues of embodiment; including how bodies signify blackness as a cultural; racial; and global category. Whether enacting U.S. imperialism in westerns; dramas; dances; songs; or comedy sketches; African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. This message; this story that Batiste attempts to convey in her well researched and documented book; comes through vividly in the included photos and announcement of Lena Horne and Bill "Bojangles" Robinson in the classic; Stormy Weather.Read more at [...]

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