Raphaeuml;l (Raffaello Sanzio)(Urbino; 1483 ndash; Rome; 1520)Raphaeuml;l est lartiste moderne qui ressemble le plus agrave; Phidias. Les Grecs eux-mecirc;mes disaient que ce dernier navait rien inventeacute;; mais quil avait porteacute; toutes les formes dart creacute;eacute;es par ses preacute;deacute;cesseurs agrave; un tel degreacute; de perfection; quil atteignit lharmonie pure et parfaite. Cette expression laquo;harmonie pure et parfaite raquo; exprime; en reacute;aliteacute;; mieux que toute autre ce que Raphaeuml;l apporta agrave; lart italien. Au Peacute;rugin; il emprunta les gracirc;ces plutocirc;t fragiles et la douce limpiditeacute; de leacute;cole ombrienne qui seacute;teignit avec lui. Aacute; Florence; il acquit force et assurance; et fonda un style baseacute; sur la synthegrave;se des enseignements de Leacute;onard et de Michel-Ange; eacute;claireacute;e par la lumiegrave;re de son propre et noble esprit. Ses compositions sur le thegrave;me traditionnel de la Vierge et de lEnfant semblaient extrecirc;mement novatrices agrave; ses contemporains; et seule leur gloire consacreacute;e nous empecirc;che aujourdhui de percevoir leur originaliteacute;. Nul avant lui navait traiteacute; ce sujet sacreacute; avec la poeacute;sie dune idylle familiegrave;re; avec un tel air deacute;ternelle jeunesse; cette douce limpiditeacute;; nexcluant ni lamplitude ni la majesteacute; de la conception. Il meacute;rite; agrave; nos yeux; plus de consideacute;ration encore; pour la composition et la reacute;alisation des fresques avec lesquelles; degrave;s 1509; il orna les Stanze et les Loggie du Vatican. Le sublime; auquel Michel-Ange parvint par son ardeur et sa passion; Raphaeuml;l latteignit par un eacute;quilibre souverain entre intelligence et sensibiliteacute;. Lun de ses chefs-doelig;uvre; LEcole dAthegrave;nes; est un monde autonome creacute;eacute; par un geacute;nie ; jamais ne faiblira notre admiration pour les innombrables deacute;tails; les portraits de visages ineacute;galeacute;s mecirc;me par les plus grands peintres du genre; la souplesse du geste; laisance de la composition; la vie qui circule partout gracirc;ce agrave; la lumiegrave;re; tout cela magnifieacute; par lattrait tout-puissant de la penseacute;e.
#3633138 in eBooks 2011-07-01 2011-07-01File Name: B00GOMZMTW
Review
4 of 4 people found the following review helpful. Excellent; Concise; and InvaluableBy Robert BrandoffI buy lots of camera related stuff here on ; but rarely post reviews.However- Ricos Kindle Book helped me understand the ins and outs of the X-Pro 1 and the XE-1.To the reviewer who described it as a waste of money- I really dont see how thats true!Every important aspect was addressed; and examples were given. Rico makes no grandiose claims about his background; nor is he an "equipment pimp" living off a monetized forum. He simply gives to the features of *both* the X-Pro1 and XE-1.0 of 0 people found the following review helpful. Its the best most flexible near-pro camera Ive ever ownedBy RM Z.This is a valuable resource for X-Pro1 owners. Its the best most flexible near-pro camera Ive ever owned.0 of 0 people found the following review helpful. I would have been lost without this book!By Reiki studentThe Fugi X E1 is an awesome camera. Each button does a number of things; depending on which shooting mode one is using and it can be a daunting task to remember it all. This book is much clearer than the camera manual and makes learning fun.The downside; if there is one; is the information on the XPro camera; which one has to unnecessarily read through to ensure that they dont overlook any pertinent information about the X E1. Also; with each new firmware update; the new information is not included in the book.Overall; I find the book to be a really valuable asset to learning the mechanics of using the X E1 to its full capacity and would highly recommend it. The author also has an Internet blog about the camera which is very helpful!
