This book considers the history of Do It Yourself art; music and publishing; demonstrating how DIY strategies have transitioned from being marginal; to emergent; to embedded. Through secondary research; observation and original interviews; each chapter details the peak period of a cityrsquo;s subcultural activity and assesses the contemporary situation since the post-subcultural period circa 1995 in order to address the impact of globalized culture in the wake of digital and internet technologies. The book aims to challenge existing histories of sub-cultures by looking at less well-known scenes and movements as well as explore DIY "best practices" to trace a template of best approaches for sustainable; independent; locally owned creative enterprises.
#2855301 in eBooks 2016-05-19 2016-05-19File Name: B01EKD1ZDS
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