How did Shakespeares plays sound when they were originally performed? How can we know; and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeares Globe presented their production of Romeo and Juliet in original; Shakespearian pronunciation. In an unusual blend of autobiography; narrative; and academic content; reflecting the unique nature of the experience; this 2005 book by David Crystal recounts the first attempt in over 50 years to mount a full-length Shakespeare play in original pronunciation. Crystal begins by discussing the Globe theatres approach to original practices; which has dealt with all aspects of Elizabethan stagecraft - except pronunciation. A large section is devoted to the nature of the Early Modern English sound system. There are reports of how the actors coped with the task of learning the pronunciation; how it affected their performances and how the audiences reacted.
#4438212 in eBooks 2005-12-01 2005-11-04File Name: B001DW0QVM
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