Leading architectural firms are now using in-house design simulation to help make more sustainable design decisions. Taking advantage of these new tools requires understanding of what can be done with simulation; how to do it; and how to interpret the results. This software-agnostic book; which is intended for you to use as a professional architect; shows you how to reduce the energy use of all buildings using simulation for shading; daylighting; airflow; and energy modeling. Written by a practicing architect who specializes in design simulation; the book includes 30 case studies of net-zero buildings; as well as of projects with less lofty goals; to demonstrate how energy simulation has helped designers make early decisions.Within each case study; author Kjell Anderson mentions the software used; how the simulation was set up; and how the project team used the simulation to make design decisions. Chapters and case studies are written so that you learn general concepts without being tied to particular software. Each chapter builds on the theory from previous chapters; includes a summary of concept-level hand calculations (if applicable); and gives comprehensive explanations with graphic examples. Additional topics include simulation basics; comfort; climate analysis; a discussion on how simulation is integrated into some firms; and an overview of some popular design simulation software.
2013-12-01 2014-01-01File Name: B00I3RC1B8
Review
4 of 4 people found the following review helpful. Awesome; easy to read; and a must-have. Used by all the great cinematographers. Need I say more?By The Z ManThis is the classic by John Alton. You will learn those essential theories on lighting which answer all or at least many of your questions. Ive read so many books on this subject; and this is the first that really explained how to light to make it look like a movie. I encourage you to purchase this. You will learn some essential theory you need to be a pro; or to understand cinematography. Even though this was written years ago; the techniques are still used today. You can see a great example of this style in Spielbergs Lincoln; and in just about every other movie made today. An essential book for the cineaste; and a good read.4 of 4 people found the following review helpful. Painting with Light is Painting with CreativityBy Ross HamilIve not made it all the way through this book; however; what I have read has been great. As an independent filmmaker; it seems that the term "independent film" means "crap." I dont want to make movies to express myself in some abstract way that people associate independent with. I want to make films that are entertaining and fun to watch. I enjoy watching movies and I want to deliver the same feeling to other people. This book has helped increase the production quality of our work to help get rid of some of the "independent" look.3 of 3 people found the following review helpful. Painting with LightBy ToadThe book was recommended by a neighbour and friend; Nico Dufort; who worked on Happy Feet Two; and who had duties which spanned technical and creative work on the movie. The books author; John Alton; insisted that still photographers and cinematographers are primarily creatives. He also gives many examples of working quickly and innovatively; whilst honouring the beauty of the actors and scenes; indoors and outdoors. Mr Alton achieved an enviable list of film noir credits in particular but his range extended to various genres and to colour as well as black and white: He asserted that black and white were colours despite the orthodox classification. Mr Alton also understood the need for openness to other artistic experiences. His life spanned several continents and very different cultures and is interesting in its own right. Perhaps the greatest strength of Painting with Light is the clarity and generosity of technical knowledge freely explained with diagrams and methodologies set out for different types of scenes and lighting conditions.
