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In the Mood for Love (BFI Film Classics)

[ePub] In the Mood for Love (BFI Film Classics) by Tony Rayns in Arts-Photography

Description

Em uma distante colocirc;nia da Terra; apoacute;s uma guerra bioloacute;gica; os sobreviventes se refugiam em uma cidade subterracirc;nea. Marcos Horaacute;cio pertence agrave; casta mais inferior e vive sob o jugo dos governantes opressores. Auxiliado por um Mente alieniacute;gena; ele se insurge contra os governantes e parte em busca das respostas para os grandes misteacute;rios de seu mundo.


#1103400 in eBooks 2015-11-11 2015-11-11File Name: B019FPKRPI


Review
2 of 2 people found the following review helpful. Classic Wong Kar-waiBy Patrick Mc CoyIm glad that the British Film Institute finally got around to commissioning a book about Wong Kar-wai. one of my favorite contemporary directors. In The Mood For Love (2015) is written by Tony Rayns. a champion of Asian film making-so he has personal ties with Wong and adds some great insight into the making of this great film. It is the story of two people brought together because their spouses are cheating on them-Tony Leung and Maggie Cheung. The first section. "Valse triste" is an overview of the film and the title comes from the soundtrack.it means sad waltz. This "sad waltz" was composed by Shigeru Umebayashi. "Yumejis Theme (from Seijun Suzukis film Yumeiji. 1991) that is the main musical motif in the film. Wong is particularly good at selecting and syncing the appropriate music with the scenes from his films. I have the soundtrack to this films and several others. It is followed by a scene by scene breakdown of the films complete with musical cues. and Maggie Cheungs wardrobe changes throughout the film. In the second section. "Secret Origins." gives the context of how and when the film was made. In the third section. "Oblique Strategies." Rayns discusses Wongs visual style and how he is different form other contemporary directors. Noting that "the mix of visual discontinuities and strong. repetitive music..evokes the style of music videos..." There is further discussion of Wongs film grammar and how it is often interpreted as "art cinema." In the "Miscellany" section that ends the book. Rayns adds some uncollected observations and information about the production that didnt fit within the context of the other sections. It is another well-written. informative and well-research BFI publication about one of my favorite films of the 2000s.

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