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Marks of Opulence: The Why; When and Where of Western Art 1000ndash;1914 (Text Only)

[audiobook] Marks of Opulence: The Why; When and Where of Western Art 1000ndash;1914 (Text Only) by Colin Platt at Arts-Photography

Description

Spanning the architectural history of the country house from the disarming Elizabethan charm of South Wraxall; the classical rigour of Kinross in Scotland; the majesty and ingenuity of Hawksmoors Easton Neston; the Palladian sweep of Wentworth Woodhouse; with over 300 rooms and frontage of 600 feet; the imperial exuberance of Clandeboye; through to the ebullient vitality of Lutyens Marshcourt; the stories of these houses tell the story of our nation. All are the are buildings of the greatest architectural interest; each with a fascinating human story to tell; and all remain private homes that are closed to the public. But their owners have opened their doors and allowed Dan Cruickshank to roam the corridors and rummage in the cellars as he teases out the story of each house - who built them; the generations who lived in them; and the families who lost them. Along the way he has uncovered tales of excess and profligacy; tragedy; comedy; power and ambition. And as these intriguing narratives take shape; Dan shows how the story of each house is inseparable from the social and economic history of Britain. Each one is built as a wave of economic development crests; or crumbles. Each ones architecture and design is thus expressive of the aims; strengths and frailties of those who built them. Together they plot the psychological; economic and social route map of our countrys ruling class in a rich new telling of our island story.


#3548850 in eBooks 2012-06-28 2012-06-28File Name: B008CBD4OI


Review
1 of 1 people found the following review helpful. DoubtsBy Philip LeetchThe writer clearly knows a lot [though I did notice slips] and can write engagingly. but I felt the book lacked a clear purpose and at times there were so many artists and works the writer felt were relevant and worth mentioning that a list-like effect was not avoided.

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