The phenomenon of iconoclasm; expressed through hostile actions towards images; has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs; and the distinction between various kinds of rsquo;iconoclasmsrsquo; is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects; both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume; and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. rsquo;Iconoclasm from Antiquity to Modernityrsquo; approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines; including art history; cultural history; religion and archaeology; as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world; the volume contains material which will also be of interest to students of the Middle East.
#1480940 in eBooks 2016-12-01 2016-12-01File Name: B01N5AR2TT
Review
1 of 1 people found the following review helpful. Huge disappointment.By GregoryVery disappointing book. Rocky nook is known for publishing great photography books so I didnt hesitate to order this one. I was expecting something along the lines of Hot Shoe Diaries or Creative Flash Photography but what I got was a printed portfolio that includes a single sentence describing the use of flash. A single sentence which sits in the middle of an empty page. There is no narrative quality to the book. There is no story telling or teaching going on In this book. The whole point of the book. According to s description. was to shine a light on the particular teachings of this photographer. That is not what this book does at all. The book doesnt even attempt to walk you through the authors admittedly genius use of flash. Every other page is completely blank except for the one or two sentence description I previously mentioned. Huge disappointment.2 of 2 people found the following review helpful. Plus Five Stars for Minus 2/3By Matt BarnettIve long been a fan of Gerd Ludwigs photography. I have every issue of his Geographic assignments. Along with David Alan Harvey. William Albert Allard and Joe McNally. Gerd is an inspiration. Unlike the other photographers. precious little is on the internet and YouTube featuring Gerds techniques. Given that. his book is a phenomenal instructive work and long overdue. Not only to you get a nice collection of some of his iconic photographs. but also "how he did it" technique. DO NOT hesitate in adding this to your photo-book collection.The only suggestion would be perhaps some photos of his gear and how he attaches his color filters to his strobes. This is only a minor suggestion. Five Stars all the way.0 of 0 people found the following review helpful. A must read for the serious photographerBy Karen JohanssonCant say enough good things about this book! I really learned a lot. I wish hed gone into more of his camera settings but the book was about flash - so. there ya go. If I ever have the chance to take a workshop from the author I definitely will! He knows his stuff!
