In his third book; Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? Its a question so basic; an act so fundamental to art-making; that it has rarely received attention. It makes an ideal topic for Strauss; a writer with an exceptional ability to animate arts philosophical dimensions in a clear; persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse; Strauss comes to their defense in a spirited cri de coeur.Featuring over 35 illustrations; the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear; Ursula von Rydingsvard; and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan; Robert Kelly; Guy Davenport; John Berger; and Leo Steinberg. In addition; there are essays on Joseph Beuyss 7000 Oaks in Ireland; contemporary Haida carvers Reg Davidson and Jim Hart; Cecilia Vicu?as "memory of the fingers;" and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions.Known primarily for his writings on photography and politics; Strauss here focuses on the least mediated arts--painting; sculpture; and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary arts connection to the past.
#1576533 in eBooks 2011-06-01 2011-06-01File Name: B0051UH7JQ
Review
0 of 0 people found the following review helpful. I cant turn the page without encountering an idiotic mistake--a name misspelledBy Jeff SteitzerThe book is throughly delightful but I must protest at how absolutely appalling the editing for the Kindle version is! I cant turn the page without encountering an idiotic mistake--a name misspelled. a word reduced to gobbledegook. Whoever is responsible for this should be summarily fired! DREADFUL!0 of 0 people found the following review helpful. A Fascinating Experience for all Lovers of Theatre.By Caroline KennedyA brilliant informative piece of theatrical history. The insight into the workings of the National Theatre from the man behind the scenes is not only delightful but imperative reading for anyone interested in mounting theatrical productions. whether in the West End or in rep around the country. Eyre writes with an ease. a sense of humour and a self-deprecating style that is irresistible. His compassion for. his love and loyalty to both the theatre and his Labour ideals shine through on every page. He makes all the great actors sound human. like people we would want to share a drink with. discuss our next projects with. invite into our homes. Eyre has the knack of making every diary entry intelligent. funny and poignant. He is also very much a family man. obviously devoted to his wife and daughter and not shy to delve into the complex relationship with his dying father.A very worthwhile read. I hope Eyre is currently penning the next installment - life after the National.Caroline Kennedy. Los Angeles. CA
