Eine Wiederkehr an Orte der Vergangenheit ist nur sinnvoll; wenn sie die Erinnerung an das Leben an ihnen befouml;rdert; wieder auffrischt oder neu entdecken lauml;sst.Bruno Flierl; geboren zur Zeit der Weimarer Republik in Schlesien; aufgewachsen in Nazi-Deutschland; am Ende des Zweiten Weltkriegs in franzouml;sische Kriegsgefangenschaft geraten; kam Ende 1947 in den Westteil Berlins. Wie sein Vater und sein Bruder wurde er Architekt und wauml;hlte nach der Gruuml;ndung der DDR deren Hauptstadt Berlin-Ost zu seiner Heimat. Hier setzte er sich fuuml;r eine moderne sozialistische Architektur ein.Zeitlebens beschauml;ftigte er sich theoretisch mit den Wechselwirkungen von Gesellschaft und gebauter Umwelt. Nach dem Ende der DDR bringt er sich in die gesamtdeutsche; europauml;ische und globale Architekturdebatte ein und nimmt immer wieder auch zur Stadtplanung Berlins konstruktiv-kritisch Stellung. Bruno Flierl reflektiert in diesem Buch sein persouml;nliches und sein Arbeitsleben in drei Gesellschaften und erzauml;hlt im Zusammenhang damit auch seine Familiengeschichte im ungeteilten; im geteilten und seit 1990 neu vereinten Deutschland. Ein auszlig;erordentliches Leben in auszlig;erordentlichen Zeiten.
#696858 in eBooks 2015-06-17 2015-06-17File Name: B00YKODAJ0
Review
0 of 0 people found the following review helpful. Super for the organists collectionBy Karen BrookAs other reviewers have written; this is easy to sight read and insert pedals where you will. Some of it felt like a segment of exercises; but I was able to make these more musical by working on appropriate praising. Great for short situations within the service and can easily repeat sections or turn to the next piece; as they flow well. Shipping was lightning fast; quality was even better than described. Terrific purchase!3 of 3 people found the following review helpful. Great resource for any organistBy MPRThe book is divided into sections that focus on a specific key (major; then relative minor). Each section starts with a couple small 4-5 measure pieces (really just segments of a piece); then they get longer as one works through the section. A great format for those who want to sharpen their organ skills.Its a great book for the occasional piece during a service; a resource for some improvisational work; or just to work on during practice sessions. However; it should be noted that there is an inordinate amount of chromaticism involved with these pieces. No; really ndash; a LOT. I think its just a practice attribute for the organist to step outside the comfort of the diatonic scale; but it seems unnecessary to have so much of it. Other than that; its a great addition to the organists library.1 of 1 people found the following review helpful. Sight-read service music and still get kudos.By Sam MillerIf you can play hymns fairly easily; you can probably sight-read much of what is in this book. I am new at playing for services and dont have time to prepare preludes; postludes; etc. I take a look in this book and come up with something I can easily play an hour later. One service has few attending so collections/communion are short; the other service is the opposite. I can also run-on from one piece to the next if I need more time since they are arranged by key. There are a lot of accidentals that give the music a particular feel - very different from music originally written for piano. The congregation loves the music.
