Actualmente el teatro creado por mujeres se publica y se estrena maacute;s que nunca y en el panorama nacional contamos con grandes autoras y magniacute;ficos textos. Como muestra de ello; esta antologiacute;a ofrece cinco obras fundamentales; escritas por Lourdes Ortiz; Carmen Resino; Paloma Pedrero; Lluiuml;sa Cunilleacute; y Laila Ripoll; cinco dramaturgas de primer nivel; todas en activo; con importantes eacute;xitos en escena y traducidas a varios idiomas. La violencia de geacute;nero; la trata y el traacute;fico de personas; el maltrato infantil; la violacioacute;n de derechos humanos o la falta de implicacioacute;n en la ayuda humanitaria son algunos de los temas que tratan estas obras. Asiacute;; las piezas aquiacute; incluidas destacan por la universalidad de sus escenas y la actualidad del conflicto desarrollado. Una antologiacute;a que; ademaacute;s; gracias a la cuidada edicioacute;n de Raquel Garciacute;a-Pascual; te invita a disfrutar de una seleccioacute;n del mejor teatro de mujeres de hoy.
#2092675 in eBooks 2016-02-20 2016-02-20File Name: B01C13XSB6
Review
0 of 0 people found the following review helpful. Excellent ScholarshipBy Jonathan CarterFull of rich details and images on the history and context of Ghibertis Gates of Paradise. My only issue is the inferior quality of the paper. This is especially true of the 16 page spread of color images that made it difficult locate specific images while reading the text.4 of 4 people found the following review helpful. VISUAL SCHOLARSHIPBy LLOYD BREGMANUnder Construction:Reading Blochs new work:In Amy Blochs monograph on Ghibertis second set of bronze doors the reader encounters the most up to date scholarship applied to the traditional form of art historical method. A remarkable depth of cultural research is applied with discriminating critical grasp of the texts cited in the footnotes. The Bibliography is therefore not mere academic boilerplate. For example; Bloch cites Lubbocks "Storytelling in Christian Art from Giotto to Donatello" then practices the art of intense visual scrutiny for a narrative. This provides for interpretive conclusions based on objective facts. A novel approach in todays critically overloaded art history. This method also provides for a good prose read which brings us closer to Ghibertis own narrative approach.Unusually for a scholar so deeply informed by texts -Biblical; Classical Renaissance; then of course art historical- Bloch also has a deep personal experience of the visual material. She obviously spent extensive time with the artworks themselves. As a photographer of the Doors she is aware of the multiple viewpoints that all sculpture presents.; Sculptural relief is often perceived written about as flat planes of linear drawing; and yet is subject to interpretative shifts or weighting by any visually aware auditor. This quality of relief is not acknowledged by the visual flatness of photographs consistently ignored by most writers on art. It is a great strength in Blochs argument that Ghibertis subjective interpretation of the Biblical narratives demands this level of visual scrutiny.Given that Blochs text provides no Conclusion the Introduction serves as a powerful statement of her goals and opinions.Blochs thesis that Ghiberti was an active and informed participant in the Humanist culture of the Early Renaissance in Florence -starting with his own writings extending to his broad network of collaborative associates seems to proven beyond dispute. No mere craftsman he.Further Points:-Pope-Hennessys International Gothic designation.-retardiaire use of Gothic cathedral vs. Renaissance Classicism Bs context/human progress argument-late comment not a humanist -vs visual arts humanism e.g. Masaccio; Donatello or della Robbia.-Cam U P applauded for supporting text arguments with illustrations.
