Profundo estudio sobre la presencia de la muacute;sica araacute;bigo-andaluza en el cante flamenco tanto en aspectos meloacute;dicos como en el uso de instrumentos. Maacute;s de cien fotografiacute;as y grabados antiguos ilustran un libro; desbordando las fronteras de la muacute;sica; investiga las afinidades vitales; literarias y riacute;tmicas entre el flamenco actual y la muacute;sica Andalusiacute;. En este libro la autora explora algunos de los parentescos de la muacute;sica andalusiacute; con el flamenco; como un intento de sugerir elementos de juicio en sus conexiones estructurales e histoacute;ricas. Los contenidos del texto; con abundantes notas documentales y expuestos de manera divulgativa; se mueven entre el examen de los sistemas musicales propios del flamenco y la muacute;sica araacute;bigo-andaluza; la influencia de nubas; moaxajas; jarchas y zeacute;jeles en el flamenco; el estudio de la copla; la ejecucioacute;n; la transmisioacute;n y la instrumentacioacute;n; una aproximacioacute;n a las danzas; la expresioacute;n festiva y el papel de los grupos eacute;tnicos de moriscos y gitanos; y un apunte uacute;ltimo acerca del sentido uacute;ltimo de la muacute;sica que comparten. Herencias y coincidencias se ponen de manifiesto; contribuyendo asiacute; a llenar el vaciacute;o investigador que auacute;n existe en el anaacute;lisis comparativo de los sistemas musicales y rituales del flamenco y las muacute;sicas aacute;rabes.Es un texto fundamental para reconstruir la cultura musical andaluza.
#3143167 in eBooks 2015-11-04 2014-12-15File Name: B00R22QHLU
Review
0 of 0 people found the following review helpful. Theory and Practice IndivisibleBy Song LinesI have the theory book that these exercises accompany in a loose way; so I trust Ligon to give the simplest explanation possible for complex theory questions. Many pattern books dont explain the source of the pattern; or name it without much explanation. With this book; you always know what the exercise is for; how it connects to jazz theory. You can focus on the simple or the complex. I really got inspired by some of the triadic exercises; and also by the patterns using Lydian dominant scale. Ligons intent is that you learn enough through his examples to create your own patterns and lines. There are many; many exercises to choose from; in treble and bass clef (transposition is left to you) and I know I will continue to return to it as long as I play. I wouldnt recommend it to beginners; but intermediate; advanced; and professional level musicians should have this book.0 of 0 people found the following review helpful. Too Steep a Learning CurveBy EugeneUnreadable for the most part; and difficult to follow or find of use for me personally. I do read music and have taken a few years of Jazz instruction on guitar but it still was too difficult for me to follow. I returned it. It is probably best for very serious students of Jazz music who want as much theoretical nerdiness as possible. Definitely not for musicians who are starting to learn about or curious about Jazz. As the title implies; it is a book about technique for Jazz Musicians. For Jazz Musicians; not "other" musicians apparently. You must already have a significant Jazz background to even begin to navigate this book.0 of 0 people found the following review helpful. Great book; even better now that is available on KindleBy Brian OatesI already owned this book in paperback so I just ordered the Kindle version because I use my iPad for practicing now because it is big enough to read music on. The paperback version is a big book so it weighed to much in my carry on bag to take with me on trips; I dont bring bulky books anymore when the book can go on my iPad. The book itself is a very thorough book for technique practice ideas when working on jazz improv; I consider it one of a small group of essential reference books for me.
