Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music; one of the most important venues for East-West cultural contact during the Cold War. In this incisive study; Lisa Jakelski examines the festivalrsquo;s institutional organization; negotiations among its various actors; and its reception in Poland; while also considering the festivalrsquo;s worldwide ramifications; particularly the ways that it contributed to the cross-border movement of ideas; objects; and people (including composers; performers; official festival guests; and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices; values; and concepts associated with new music.
2016-09-19 2016-09-19File Name: B01LYWAZ5V
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