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South Street

[DOC] South Street by Barbara Mensch at Arts-Photography

Description

CULT PEOPLE features a selection of interviews; conducted by Nicanor Loreti; with many of the worldrsquo;s most fascinating and renowned stars of crossover and cult cinema; including amazing first-hand accounts of the making of ALIENS; SUSPIRIA; A NIGHTMARE ON ELM STREET countless other classic pictures. Exclusive interviews with the leading lights of cult cinema; 30 stars and directors; the coolest of the cool. Loretirsquo;s knowledge and enthusiasm opens up his subjects on the unbelievable world of the alternative Hollywood as never before. As well as being a great source of cinema history; CULT PEOPLE is also enormously entertaining; with tales of mass zombie auditions; crews and casts stranded in distant lands without funding; and perilous attempts to make a low budget movie in the North Pole. INTERVIEWS WITH THE FOLLOWING CULT DIRECTORS/ACTORS/ SCREENWRITERS DAVID CARRADINE (Kill Bill; Kung Fu); WES CRAVEN (Last House on the Left; Scream); MICHAEL ROOKER (Henry Portrait of a Serial Killer; JFK); LANCE HENRIKSON (Aliens); MICHAEL IRONSIDE (Starship Troopers); ALBERT PYUN (Dollman); ANTHONY TAYLOR (Incubus); BILL MCKINNEY (Deliverance) BILLY DRAGO (The Untouchables); BRUCE DAVISON (X Men); DAN Orsquo;BANNON (Alien; Return Of The Living Dead); IRVIN KIRSHNER (The Empire Stikes Back); MICHAEL IRONSIDE (V; Total Recall); WILLIAM SANDERSON (Bladerunner).


#2542631 in eBooks 2007-05-14 2007-05-14File Name: B009UV64BY


Review
0 of 0 people found the following review helpful. Love it!By CustomerExcellent book!0 of 0 people found the following review helpful. GREAT BOOK!By Rob MeloneThis is a really beautiful book- great photography with great subjects. and a real gritty feel for the fishmongers life and environment! Additionally. there are great back stories. anecdotes and and history that bring it even to a more graphic level.0 of 0 people found the following review helpful. Finding the Lost New YorkBy B. Wolinsky1979. an artist/photographer walks into a bar at the fish market at 4am. and a big man walks up to her. with an icy stare. and orders her out The neighborhood was the Fulton fish market area. a men-only zone. and hostile. She did gain the trust of some locals. but others remained suspicious. After looking at the authorrsquo;s photos. and reading her account of the area. I can see why. Barbara Mensch was one of three kinds of people who yoursquo;d see in the vicinity of South Street and the Fulton fish market. You had the Wall Street financiers. then the artists in the lofts. and finally the men who worked on the docks. For over 100 years the area was a seaport. and even after the seaports moved to New Jersey and Philadelphia. the fish market stayed. Towering glass office buildings hovered over the rotting piers. where men in bloody overalls loaded fish for the wholesalers. The industry was controlled by the mob. and the workers. on top of their backbreaking night shift work. had to deal with mob shakedowns. The place was dirty. smelly. and rough. Mensch has some photos that she (discreetly) took of the barrsquo;s daytime customers. against the advice of the barkeep and some jewelry-wearing guys. In the grainy photos. a salty-looking old white man in a sailorrsquo;s peaked cap sits with two scrawny leather-clad black women. most likely prostitutes. According to her. the guy was English. possibly came as a sailor on one of the boats that used to dock there. and stayed on. He may have lived in one of the filthy tenements of the area. or even above the restaurant Sloppy Louisrsquo;. whose location appears in the classic Up In The Old Hotel. I might add that the South Street area was not a tourist attraction in the late 1970rsquo;s. but a filthy. rat-infested. dangerous place. Itrsquo;s mentioned in the French Connection. where in the early 60rsquo;s you could find nasty dive bars from there up to Pike Slip. The photos arenrsquo;t exceptional. theyrsquo;re mostly the same pictures of rough. dirty white guys. few blacks worked on the docks. Unlike most photos that canrsquo;t give you much other than the image. Menschrsquo;s photos give you a five-senses feel. so much that you can almost smell the fish! You also get a sense of how the men ached from the cold. and in the summer they must have been assaulted by the smell. Mensch writes that the dock workers werenrsquo;t happy about having to answer to the mob (on top of all their other problems). but at the same time they didnrsquo;t like government interference. They had a ldquo;where were you all those yearsrdquo; kind of attitude. and viewed the authorities as strangers whorsquo;d never been there for them. Almost all of the workers were Irish or Italian. and some of them lived on the Lower East Side. which at the time was also a hellhole. The place had its own laws. everything was based on trust (not as violent as yoursquo;d think) and the rules were simple; if you screwed up you never worked their again. It was a great place for ex-cons and illegal aliens. lots of Englishmen who came here as sailors. However. right after these photos were taken. the fish market was reduced. Thanks to the increase of high-priced real estate in the area. and the fact that the seaport was becoming a tourist spot. the city stepped in and regulated everything. Trucks had to be out of there by 10am so as not to bother the suit-wearing Wall Street guys. Therersquo;s a funny photo of a guy in an expensive suit and carrying a briefcase. walking briskly past guys in overalls unloading crates. and he looks like the sort of Italian American who in another decade wouldrsquo;ve worked at the docks. Another shows high-heeled yuppie chicks strutting past the men with crates. Good thing they didnrsquo;t need to use the bathrooms. because the walls were covered in nudie pics. There are other books about old New York. and Irsquo;ll name a few; The City That Became Safe. City of Disorder. Selling the Lower East Side. These books are scholarly. but they lack what this book has. and that is the primary source. Mensch not only includes photos. but also her words. She writes a firsthand account of her experience there. from someone who watched it all unfold up close

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