Choreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldis arguments cover the full spectrum of performance; from production to circulation and reception. Castaldi first situates the reader in a North American theater; focusing on the relationship between dancers and audiences as that between black performers and white spectators. She then examines the work of the National Ballet in relation to Leacute;opold Seacute;dar Senghors Neacute;gritude ideology and cultural politics. Finally; the author addresses the circulation of dances in the streets; discotheques; and courtyards of Dakar; drawing attention to women dancers occupation of the urban landscape.
#1382530 in eBooks 2016-11-10 2016-11-10File Name: B01M65CKO0
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2 of 2 people found the following review helpful. Five StarsBy Cheryl WilsonAlways a wonderful book!0 of 0 people found the following review helpful. Excellent!By S. MeskoI love these books! I have them all. The drawings are always wonderful! Very inspirational for a fellow artist!0 of 0 people found the following review helpful. Another Wolf winner!By bamagirl2Never disappointed in a Wolf!!