By offering a new way of thinking about the role of politically engaged art; Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere; who against the dominant modes of criticality in political art; look at how cultural production can be reparative. Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics; affect studies; feminist theory; politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.
2013-06-13 2016-07-04File Name: B01HXZXYIE
Review
