Create fantasy creatures in watercolor! Mythology; folklore and fantasy fiction are full of fantastical winged creatures like the fiery phoenix; a roaring dragon protecting his hoard; a fierce gryphon warrior and more. Winged Fantasy will teach you everything you need to know about drawing and painting these and many other creatures. From head to tail and toe to wing; youll be painting winged creatures in no time! More than 30 step-by-step demonstrations and beautiful full-color art help you illustrate a variety of fantasy creatures. Simple instructions and clear diagrams teach the anatomy of these creatures. You wont wonder how to draw feathers or where to put wings anymore! Easy-to-follow watercolor instruction will guide you through everything from choosing and using basic materials to creating beautiful watercolor paintings. Whether its in a forest; an underwater scene or the ruins of an ancient city; youll learn how to bring these creatures and their environments to life. In the world of fantasy; there are no limits! Just pick up your brush and set your imagination free!
#3897228 in eBooks 2014-08-04 2014-08-04File Name: B00N9JLR3I
Review
0 of 0 people found the following review helpful. Pinter -- without the pauses and oblique menace.By Steven AxelrodFascinating; wide-ranging conversations rather than formal interviews -- even Pinter said that; surprised at how easy and effortless talking with Gussow turned out to be. An excellent companion piece to Pinters collected works and Antonia Frasers memoir.0 of 0 people found the following review helpful. Very interestingBy Susan BrashearFound this book a very quick read. Loved having it on my Kindle where I could pick up in the conversation at any point. Great for Pinter lovers.13 of 13 people found the following review helpful. Illuminating contextualizationBy Stephen O. MurrayIn a series of interviews between 1971 and 1993 Gussow (longtime _New York Times_ drama critic; who also coaxed a fascinating set of comments from Tom Stoppard) got Pinter to talk about how he works. Pinter refuses to comment on what his work "means;" but is eager to clear the air about misperceptions about himself (such as being in a chronic state of outrage). Pinter comes across as generous as well as politically committed; suspicious of audiences; but grateful to (fellow) actors. And he clearly has a sense of humor (too rarely appreciated in his plays).
