From the beginning of the American occupation in 1945 to the post-bubble period of the early 1990s; popular music provided Japanese listeners with a much-needed release; channeling their desires; fears; and frustrations over an ever-shifting geopolitical reality into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities; reflecting the countrys uncomfortable position under American hegemony. Michael Bourdaghs composes the first English-language study of this phenomenon; considering genres as diverse as boogie-woogie; rockabilly; enka; 1960s rock and roll; 1970s New Music; folk; and technopop. Reading these forms and their cultural import through music; literary; and cultural theory; he introduces a range of readers to the sensual moods and meanings of modern Japan.As he unpacks the complexities of Japanese pop production and consumption; Bourdaghs interprets a country as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nations former colonies. In postwar Japan; pop music both accelerated and protested the commodification of everyday life; challenged and reproduced gender hierarchies; and insisted on the uniqueness of a national culture; even as it participated in an increasingly integrated global marketplace. Each chapter examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres across the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.
#2007895 in eBooks 2011-10-16 2011-10-16File Name: B0073BNPRY
Review
2 of 3 people found the following review helpful. Collected Essays of Milton BabbittBy Mark J. ZanterGreat resource--all of Babbitts essays in a single source. Includes early writings published before the seminal works on serialism. Must have.2 of 2 people found the following review helpful. A MOST IMPORTANT TOME!!!By Mark J. St HilaireNo serious student or devotee of music should be lacking a copy of this book in their collection! This is one of the most important collections of writings on serious music to date. alongside George Perles THE RIGHT NOTES and Elliott Carters COLLECTED ESSAYS LECTURES. 1937-1995. The annotations by two leading Babbitt scholars are first rate. as Babbitts thought provoking insights reveal an extraordinary musical intellect at work. corroborating once again his status as one of the most important musical figures of our time with just that right combination of heart and brain. Just one caveat. though: I only wish the book had included Babbitts doctoral dissertation THE FUNCTION OF SET STRUCTURE IN THE TWELVE-TONE SYSTEM. written in 1946 but not published until 1992. Though this seminal work is gratefully available from UMI. the print is very hard to make out. Including this 1946 classic text fully annotated into the main body of this new book would have made it the ultimate resource on the topic!
