First published in 1930; this book deals with Byzantine art; not as an isolated province; but as one intimately connected with the subsequent history of European painting. After a summary of the whole question in its relation to modern art; the second chapter opens with a novel analysis of the iconoclast controversy; and shows how it was only by this movement that Hellenistic naturalism was finally vanquished and the seed of interpretational art planted in Europe in its stead. The third chapter reveals how this seed was nourished by the Constantinopolitan Renascence; and how that event; combined with the increasing humanisation of religious emotion; culminated; not only in Duccio and Giotto; but in the equally important work of their contemporaries at Mistra and Mount Athos. A detailed account of these works is given and in the last part of the book; the mystery of El Greco is finally resolved. The book is based; not only on extensive research but on personal observation of nearly all the works mentioned; in Constantinople; Greece; Crete; Italy; and Spain. It is an important and exciting addition to the history of European Art and establishes; scientifically; theories which only existed in conjecture before its publication. The book includes 94 black and white plates.
#3111625 in eBooks 2013-12-16 2013-12-16File Name: B00HDE4IZO
Review
9 of 13 people found the following review helpful. Interesting book to read.By Rod WinderInteresting book to read. A bit heavy on the development of religious understanding through ability of paper as a cheap media to provide access of thought to the masses and loss of power of those controlling by ignorance16 of 23 people found the following review helpful. In depth history of paper; but also very long and not enough pictures!By KiwifloraIt is highly unlikely that you are reading this review on a piece of paper held in your hand. And yet; it was the invention of paper that enabled mass communication and exchange of information quickly and effectively. Now we have the internet rapidly replacing the likes of the daily newpaper; but we must cast a thought back to where it all began. First produced over 2000 years ago in China; paper very quickly replaced bamboo as a writing surface and from then on was unstoppable in its spread. Although; it was not till over 1000 years later that paper made its way in a westerly direction to what is now Iran; Iraq; then Turkey to Europe.The movement and development of paper has been integral to the history of these regions over the last 2000 years. As a form of storing religious texts; whether they be Buddhist as in the early centuries of paper use in China; the Koran or the Bible; as a means of distributing religious messages amongst the populace as seen in the work of Martin Luther in the 1500s looking for an alternative to the Catholic church; or as fuel to the French Revolution in the late 18th century; paper has been at the centre of it all..Even New Zealands very own Treaty of Waitangi has two pages in this book devoted to it. Apparently the Treaty was a very rare type of document in British imperial history; in that it was a bilingual document - Maori and English - drawn up for both sides to sign. Which is what happened. Although as we now know; the two versions actually had two different meanings. However it is considered remarkable for its time; as it attempted to come to a political settlement without going to war. The author also points out that when the Treaty was signed in 1840; the Maori had only had maybe 20 years of exposure to the written word; their entire means of communicating and passing on history up to that time being oral in nature. Is it any wonder they are such marvellous story tellers?This research undertaken for this book is enormous; and how much the author has put in is mind boggling. The author has studied Chinese and lived for a time in Beijing; so it is hardly surprising that half of this book is about the invention; development and spread of paper in China; Eastern and Central Asia - the first 1000 years. I am not entirely sure how one makes 1000 years of paper making interesting and riveting; and at times I found myself nodding off. The seond 1000 years is easier to digest as it has much more relevance to history that we already know about. Nevertheless; I wouldnt say this book is an easy read. The detail and minutiae of his subject is at times overwhelming; to the extent that I felt the thread of many of his stories was getting lost.There has been a trend in recent years for non-fiction writers to undertake histories of items/inventions that have been crucial to the development of the world we know and live in; and write about it in a way that makes it accessible to the average reader. For example "E=mc2" by David Bodanis takes Albert Einsteins famous equation and explains it in such a way the most unmathematical persons in the world could understand. This book is not on the same accessible level as the likes of "E=mc2".My biggest criticism - the almost total lack of illustrations. In a book of 368 pages there are only seventeen illustrations. I dont understand how a book about paper and its place in modern history can only have seventeen; low quality illustrations. There is whole chapter devoted to the Renaissance and the use of paper in the creation of some of the beautiful art works from that time. Any illustrations from this time? No. Any pictures of some of the beautifully and crafted Bibles of the Middle Ages? No. Or the copies of the Koran produced by the Islamic Caliphate? No. I kept wanting to see pictures of what the author was writing about. Disappointing for a book with so much research and information in it.But if you have the time and want to know where paper; the development of script; binding; typography; the printing press; the concept of reading; the disbursement of knowledge sprang from; then you will get a lot out of reading this book.
