An easy-to-teach; straight forward string method from three renowned pedagogues. A unique letter-note style of music notation is utilized which ensures a smooth transition from rote to note reading. Students are quickly introduced to ensemble playing and play a wide variety of fun-to play melodies; keys and modes. Strictly Strings features a carefully prepared lesson sequence which develops all players abilities equally.
#2343081 in eBooks 2010-11-12 2010-11-12File Name: B005MI2QZW
Review
0 of 0 people found the following review helpful. The language of the book is far too technical and ...By Sydney HinkleThe language of the book is far too technical and textbook to make for any kind of productive reading. The content of the book is decent. but still a little lacking.2 of 3 people found the following review helpful. An important contribution to the fieldBy B. HolmesHenry Miller invites the reader to examine a critical period in the history of black theatre. This well-researched book has particular impact because the voice of the author. his passion for the art form. and for the lives of the people reflected on stage. is evident throughout the work. While the text is bound to become a classic for theatre educators and dramatists. it was also of interest to me. As a religious scholar. I am always intrigued with the discussion of humanism in any context. The ongoing debate between people of faith and humanists is usually quite heated. Here. Miller offers a refreshing alternative to the historical controversies. He asserts that humanism is a binding force and future hope for the black community and for all people of good will. I interpret this to mean that our first goal is to be human/real. and compassionate. After this is accomplished. there will be plenty of time to brag about our faith.1 of 1 people found the following review helpful. Contribution Sorely Needed: Black Dramatic Theory DebateBy Hershell NorwoodThe perspective that this dramatic theory debate informs black theatre well into the 20th century should give us all. African American theatre practitioners. good reason to take note. And that Miller lays that history out here from his point of view in a book simply and critically truly should inspire applause.
