Few individuals have made as much of an impact upon a single medium as has Sergei Eisenstein upon cinema. His ground-breaking movies; such as "Battleship Potemkin"; "October" and "Aleksandr Nevskii" make regular appearances upon all-time best movie lists; whilst classic sequences from these movies; such as the baby in the pram on the Odessa steps ("Battleship Potemkin"); and the battle on the ice ("Aleksandr Nevskii"); have entered the public consciousness and are referenced constantly by artists and film-makers alike; from Fellini; Hitchcock and Godard; to Martin Scorsese. "Sergei Eisenstein" analyses the complex life and works of Eisenstein as film-maker; artist and writer. Drawing heavily upon Eisensteins extensive writings; both published and unpublished; Mike OMahony explores the major pathways and stages within his career. Unlike previous studies the author evaluates the life and work against the context of the social and historical circumstances of the first three decades of Soviet rule. He considers the directors major film releases alongside his other works; including his uncompleted film projects and his copious writings and drawings; to bring to light the singular personality of the subject and the unique circumstances in which his work was produced and received. A wide-ranging; deeply-researched and yet accessible account of a key figure in twentieth-century film; this book will appeal to the broad audience for film history.
#1965308 in eBooks 2011-03-01 2011-03-01File Name: B004Z1HQHK
Review
5 of 6 people found the following review helpful. Great Collection of EssaysBy B AllenThis book contains an excellent collection of essays that offer insight into not only Thomas Kinkade. but to the current state of the art world in general. The essays are not universally critical of the artist and tend to bring helpful conversations about art forward that consider the ideas of highbrow/lowbrow. popular/elite. art/kitsch. insider/outsider. Highly recommended. intriguing and also entertaining at times. "This ones for you Walt" -Kindade3 of 28 people found the following review helpful. ArtNews Top 200 Collectors Will Feature This Trophy Art Next!By Peter P. FuchsYou need only the incredible phrase from one of the essays to get the Gestalt of this thing: "in attempting to locate thomas Kinkade in terms of artistic precedent.." What is left to know about this can be filled in by reading Jed Perls great review of it from the New Republic. Meantime. I want to reflect on the state of serious scholarship in the humanities. It seems to consist in casting about for any new topic to dissect for the fun of it. and not for any serious purpose. and in this mere turning of the soil. for no purpose. it brings to mind the mere garden hoe. In more ways than one. I fully expect that soon ArtNews will feature one of its 200 Top Collectors who has purchased one of Kinkades masterpieces. The savvy collector will have this to say when asked "What is your collecting approach".....""I buy on instinct and my instinct tells me that a picture of an elfin cottage speaks of our cultural anxiety. the golden dew drops are like our societys tears. and also it looks striking nest to my Richard Serra."7 of 31 people found the following review helpful. Art vs. "Wall Decor"By RANDY SIn my opinion. Mr. Kinkade falls squarely into the "wall decor" camp. For some reason. most people cant abide unadorned interior spaces. Consequently. there are millions of painters generating mountains of images designed to match the drapes and sofas for those people who feel an empty wall is somehow cheap and tacky. As long as one of these painters meets or exceeds the minimum set of artistic requirements as perceived by their audience. then whatever success and popularity they enjoy is a result of marketing. Kinkades biggest business strategy by far has been exploiting Christians --niche marketing at its finest.The irony is that Kinkades work created during the 1980s was much more subtle. more skilled and less garish than what followed once the publicly traded marketing machine went into overdrive. His early plein air paintings are no better or worse than what one might see in a lot of museums. But like most painters. Kinkade reached the proverbial "fork in the road" ..and he chose to sell his soul for fame among fools and a fast buck. And each new painting thereafter shows the effect of his chasing an audience instead of letting them find him. Each new work seemed created to pander to whatever sub-niche he had yet to exploit.Kinkades popularity peaked some time ago and seems to be steadily contracting. He hasnt been an on-air vendor with the QVC shopping channel for years and only has a few token pieces on their website. During the years 1997 through 2005. court documents reportedly show "at least 350 independently owned Kincade franchises at peak. By May. 2005. that number had more than halved." Sites like eBay greatly undermined the much touted "investment" potential of his reproductions by demonstrating where the market for them really is. To be sure. only a tiny fraction of his collectors are likely to buy and read this or any other book on art or criticism.Kinkade will never likely be considered among the company of great artists even though he could probably buy and sell many of them.
