The dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson; and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that; contrary to belief; the monologue remains popular to this day. This far-reaching and neatly structured volume:* explores the origins of the monologue and presents a history of definitions of the term* considers the monologue as a form of social critique* explores issues at play in our understanding of the genre; such as subjectivity; gender and politics* traces the development of the genre through to the present day.Taking as example the increasingly politicized nature of contemporary poetry; the author clearly and succinctly presents an account of the monologues growing popularity over the past twenty years.
#1095035 in eBooks 2014-05-05 2014-05-05File Name: B00K0OHHEI
Review
2 of 2 people found the following review helpful. A classic bookBy J HAn engaging read that reflects the authors experience and passion in the subject. He draws on various disciplines such as psychology and sociology to make the case of improving the museum by adopting a visitor-centred approach. The writing style is clear; simple and accessible; and explains otherwise abstruse academic theories in straightforward terms. This book will stand the test of time because certain theories of human behaviour never change; such as Maslows hierarchy of needs. The framework for the book (personal context + physical context + social context = the interactive experience) is well presented and defended throughout the book. A must read for any student of museum studies. Oh; and this slim book can be read in a day!
