Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth; as Michael W. Harriss history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure; Thomas Andrew Dorsey; Harris tells the story of the most prominent person in the advent of gospel blues.Also known as "Georgia Tom;" Dorsey had considerable success in the 1920s as a pianist; composer; and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicagos African-American; old-line Protestant churches; where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorseys new form of music received; the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues; Harris illuminates not only the evolution of this popular musical form; but also the thought and social forces that forged the culture in which this music was shaped.
#4374649 in eBooks 2010-10-26 2010-10-26File Name: B00492CRXS
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