In this fiercely ambitious study; Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics; tracing the nineteenth- and twentieth-century movements that sought to break art down into its constituent elements; which in many ways predicted and paved the way for our acceptance of digital art. Through a series of case studies; Hoy questions the separation between analog and digital art and finds that while there may be sensual and experiential differences; they fall within the same technological categories. She also discusses computational art; in which the sole act of creation is the building of a self-generating algorithm. The medium isnrsquo;t the messagemdash;what really matters is the degree to which the viewer can sense a creative hand in the art.
#2600222 in eBooks 2005-05-03 2016-04-04File Name: B01DV1K80G
Review
0 of 0 people found the following review helpful. Five StarsBy Bex RussGreat book for young musicians. The three parts to each song work perfectly for small concerts.0 of 0 people found the following review helpful. perfectBy D. FooteWe always have Christmas parties and the family gathers for sing-alongs. The tuba is often just a two note back-up. but now he can step out and take the lead.
